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Even to This Day​…​Music for Orchestra and Soloists  Movement Two: Syncretism: For The Draw…

by Vinny Golia

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1.
2.
3.
Gravel Notes 02:52
4.
The Line 15:14
5.
Diachronic-4 05:44
6.
Tengmo 07:46
7.
Elide 07:56
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Zana 02:52
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Diachronic-3 05:01
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GS 04:06
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EP-1 02:27
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Bonecrusher 04:51
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C Bell Intro 02:55
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Teology 01:34
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For Harp 02:29
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Brass Trio 03:27
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Exclusion 06:21
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Gong Zilj 03:06
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2-17 Rock 06:24
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Wood Sounds 03:01
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Andas part 2 10:02
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New-1 05:21
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Bowls 05:39
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Two Views 07:05
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Duo M 03:19
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Brutus 04:29
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Bernie-2 08:50
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Moai-6 vs 2 08:45
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Moai-3-6 05:21
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Moai-3-1 07:20
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Slap-1 07:38
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New-2 10:42
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Sketch-2 07:47
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Andera, or? 06:13
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Henry One 07:17
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Mike & Clay 05:30
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Diachronic-2 10:58
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Diachronic-1 05:55
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Talos 06:12
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P-T part 2 02:04
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Requiem 02:41

about

Even to this day… is an observation of the present and hopefully a gift for the future. I started this three-movement project before Covid and released Movement One in 2021. I was trying to get out of, and get my friends out of the Covid malaise and do something that would positively affect us all. Since 2021, we have been bombarded with a litany of negativity: a lack of government leadership, rampant homelessness, constant threats of annihilation, climate change, economic hardships, continued social inequities, and the passing of so many of our friends—legends of the music we play. Through the compositions and improvisations in this movement, I hope to contribute to the positive vibrations in our universe.

Movement Two Syncretism: for the draw… is about 11.5  hours long and as mentioned features electronic improvisers. Why the length? The original idea was to have this movement be a short section between Movement One and Three. Now, this music has become a larger environment for listening; the duration seems to be for reflection and function. Why electronic musicians? Movement Two started with 5 compositions written for guitarist Alkis Nicholaides; once these compositions were completed, I wanted to explore these compositional areas more deeply. Things expanded rapidly from there as the sonic inspirations were sculpted into what became Even to this day…Movement Two Syncretism: for the draw….

When I was in high school, I read a startling statistic that there were always at least 200 wars simultaneously on the planet; now in 2023, there seems to be so much more bloodshed. We are close to 90 seconds before midnight on the Doomsday Clock, and everyone is being pushed to their edge. Can music relieve this constant stress? I do not know. It’s not for me to determine. Our job as artists is to create a positive force within ourselves and transmit that force outward. On Movement Two Syncretism: for the draw…. an amazing amalgam of soloists breathes life into sonic structures to realize these goals. With its superimposition of composition and improvisation Movement Two Syncretism: for the draw….is my tribute to our sanity, endurance, and patience. 

credits

released September 29, 2023

(Syncretism—the practice of combining different beliefs and various schools of thought) 

Even to This Day... comprises three movements. The first, Movement One: Inoculations, was released in 2021 for an orchestra and 21 improvisers. The second, Movement Two: Syncretism: For the Draw…, is for guitarists, electronic musicians, brass, woodwinds, percussionists, voices, and orchestra. The idea behind Movement Two came from a collaboration with Alkis Nicholadis, a wonderful Cypriot guitarist who asked me to compose an orchestral suite of compositions featuring him as the soloist.

Movement Two features real and virtual musicians who perform composed music combined with improvisation—which always seems to be the best way to get what I want musically—a blend of serenity, intensity, and stability that shifts like the sands in a desert. The compositions showcase the musicians' creative talents through soloistic journeys, interludes, and a myriad of improvisational approaches played over a large and continually changing symphonic setting and orchestral textures. The movement also spotlights many West Coast musicians I play with, as I wanted to have them represented in the music. One can listen to the compositions in any order, but I feel they are best listened to in their original order.

Soloists:
Jake Vossler-Electric Guitar
Andrea Wolper-Voice,, Poem
Nels Cline-Electric Guitar
Michael Fink-Electric Guitar
Alkis Nicholadis-Drum Programming, Electric Guitars, Electric Bass
Gregory Lewis-Drums
Steuart Liebig-Electronics
Cheryl Leonard-Electronics, Self-Built Natural Sound Instruments
Clay Chaplin-Electronics
Josh Gerwitz-Electric Guitar
Tim Perkis-Electronics
Susan Alcorn-Pedal Steel Guitar
Ethan Marks-Trumpet, Quarter Tone Flugelhorn, Electronics
Alex Noice-Electric Guitar
Tim Feeney-Percussion
Henry Kaiser-Electric Guitar
Ellington Peet-Drums
Will Salmon-Voice
Dan Roseboom-Trumpet
Tany Ling-Voice
Chas Smith-Electronics, Sound Sculptures
Mason Moy-Tuba
GE Stinson-Electric Guitar
Wayne Peet-Organ, Keyboards, Piano
Vinny Golia-Woodwinds, Gongs, Singing Bowls, Crotales, assorted Aerophones


Compositions and arrangements by Vinny Golia 
Ninewinds BMI 2023
Recording-Wayne Peet & Vinny Golia
(with additional remote recording by selected solo artists)
Recorded from September 2021-July 2023
Edited, Mixed and Mastered By Wayne Peet
Produced by Vinny Golia and Wayne Peet

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