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Even to this day​…​Movement One: Inoculations Music for Orchestra and Soloists

by Vinny Golia

supported by
Thomas Howell
Thomas Howell thumbnail
Thomas Howell An amazing encyclopedia of tones, textures, and moods. Just the variety of percussion, and attention to giving each sound its place to live and breathe in a work of this duration, is extraordinary.
backley
backley thumbnail
backley Some of the most extraordinary music I've heard. I want to see the movie now! All props to Vinny Golia for expanding the universe of the imagination.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Here's a link to 5 videos by Carole Kim using some of the music from Movement One:

    https://vimeo.com/showcase/8735988
    Purchasable with gift card

      $115 USD  or more

     

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Moai 3 VC-BS 04:46
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The Real One 02:15
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Encomium 03:13
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For John... 05:30
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Low Toaani 06:16
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Locus-2 04:07
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xiphoid 02:25
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Kyle! 04:29
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for Vicki 02:54
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Trapazoid 02:25
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Shadow 05:00
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Vicki 2 02:16
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Ken 07:58
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The Solution 03:38
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time change 03:02
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Trpt Partial 01:35
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Lonely wind 02:46
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for Robin 01:21
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Never Freed 05:30
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Sketch 01:30
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Aver 03:24
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Unit! 03:52
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Villions 03:51
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Cassia 02:17
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Flight 575 04:21
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Moai 3-13 01:28
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Moai 3-5 01:40
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1-13-w harp 02:12
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double duos 05:29
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Bedtime 04:08
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Moai 3-1 01:48
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Project 1 08:06
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The Intro 05:02
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Vicki 6 02:17
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Bad Dentist 06:21
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Isochronus 02:29
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Travk 5 05:53
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Moai 3-10 05:00
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Goliath 11:07
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Gombus! 04:52
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about

Even to this day…Movement One: Inoculations
Music for Orchestra and Soloists

(Inoculation: to inoculate)

This applies to vaccinating against the coronavirus and to mentally preparing ourselves to be strong against the onset of paranoia, boredom, depression, isolation, apathy, and all of the other symptoms of this disease that we did not anticipate.

Even to this day…in its entirety comprises three movements. Movement One: Inoculations, which you are listening to now, is for orchestra and 21 improvisers. The complete length of Inoculations is 10 hours and 32 minutes and consists of 12 individual Modules. The second movement, Part Two: Syncretism: for the draw…is for metal band and orchestra and will be released later in 2021. Finally, as yet unnamed, the third movement for symphony orchestra and large ensemble with improvisers will be completed at the end of 2021.

I started writing Even to this day... for my upcoming 75th birthday a year before it was to happen at the request of Rent Romus, who was organizing a concert of 75 musicians to perform the piece, unaware that Covid lurked around the corner. The performance never happened. So, I decided to go for what I wanted using real and virtual musicians performing composed music combined with improvisation—which always seems to be the best way to get what I want musically—a blend of serenity, intensity, and stability that shifts like the sands in a desert. And, as I wanted to have many of the West Coast musicians I play with represented in the music, I came up with a plan to have soloists play over a large and continually changing symphonic setting.

Even to this day... includes soloistic journeys, short interludes, transitional forms, and improvisations involving orchestral textures. Performed live, I would have used a combination of conducting techniques I have been refining since the first concert of the Vinny Golia Large Ensemble in 1982. Unfortunately, I could not do this live because of Covid restrictions and instead created an alternate composition system to supplant and expand on those techniques. Our West Coast community of creative musicians is vast and intensely innovative, and from this communal pool, I used improvisers accustomed to performing New Music and freer forms of improvisation. Specific compositions showcase their creative talents, resulting in a myriad of improvisational approaches. For the listener, the modules within each movement can be arranged in any order but are best listened to in their original order as the compositions within each module accent each other.

Movement One: Inoculations is the first part of over a year’s worth of work on Even to this day... The movement is a direct response to Covid, reflecting feelings and thoughts while locked down or “safer at home” for 15 months. With so much discord in the world at the moment, the chance for a few of us to collaborate on something positive seemed a great way to fight back, peacefully, against the malaise of fear, uncertainty, isolation, hostility, and depression. So, this orchestral project started in March 2020 is now ready to add the final component, the listener...

credits

released August 25, 2021

Featured soloists:
Ken Filiano-Bass
Derek Stein-Cello
Matt Barbier-Euphonium & Trombone
Tim Feeney-Percussion
Randy Gloss-Hand Drums & Electronic Percussion
Vicki Ray-Prepared Piano
Sarah Belle Reid-Trumpet & Electronics
Kyle Bruckmann-Oboe, English Horn & Electronics
Jeff Kaiser-Trumpet and Electronics
Cassia Streb-Viola
Miller Wrenn Bass
Nathan Hubbard-Drums & Percussion
Steve Adams Sopranino Alto Saxophones, Alto, Bass Flutes & Electronics
Steven L. Ricks-Trombone & Electronics
William Roper - Bombardondino, Tuba & Extemporaneous Spoken Word
Dan Clucas-Cornet
Clint Dotson-Drums
Brian Walsh-Bb, Bass, Contralto & ContraBass Clarinets
Ellington Peet—Drums
Wayne Peet-Piano, Organ & Synth

Vinny Golia-woodwinds, gongs, singing bowls

All Compositions and Arrangements-Vinny Golia
Ninewinds BMI
Trapezoid by Randy Gloss
Recording-Wayne Peet & Vinny Golia
(with additional remote recording by selected solo artists)
Recorded from March 2020-August 2021
Edited, Mixed and Mastered By Wayne Peet
Produced by Vinny Golia and Wayne Peet
Album Art by Carole Kim-"CB Flute"

Special thanks for the use of the pipe organ at St. Vincent’s the Virtualist, extra-special thanks to Kathy Carbone, Wayne Peet, Steuart Liebig and Jeff Kaiser, all the players of the Bpjsornstein Contemporary Orchestra, and of course the fine soloists' contributions

Ninewinds & pfMENTUM

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